What makes writing bad? Bad writing is boring writing. It is boring because it is too confused or too logical, or boring because it is hysterical or lethargic, or boring because nothing really happens.
If I give you a 400 page manuscript of an unpublished novel – something that I consider to be badly written – you will suffer as you read it to the end.
When you read a bad book, it’s usually a good thing. You can learn from its mistakes.
Although a novel about a group of friends who go on a hiking trip to find a mysterious creature in the woods isn’t the worst book in the world, it isn’t the best either.
It’s not even good enough to be considered mediocre.
A famous novelist once said that a book is bad when you’re reading it and you can tell it’s bad.
With this in mind, I have been writing a book for several years, which I think is a great work of literature. You will know it’s bad when you read it.
A friend’s book may be okay. It may even have a few nice sentences or images, but it’s still an agony to force yourself to keep reading. It’s still telling you things you already know.
Writers continue to write badly because they have good reasons for doing so.
Many reasons are valid, but they don’t make for good writing. Bad writers use these excuses to continue doing what is bad for them.
Writers are bad because they cling to the causes of bad writing.
Most people write for themselves. They don’t think about their readers or their audience. Instead, a person writes a love letter to himself. The only one who will truly love it is the writer.
Some writers read a lot. But they read books that aren’t that good. They don’t learn how to create good stories, because they’re too busy copying what others do poorly.
If you’re a bad writer, stay away from excuse writers. They’ll teach you how to write like them – and that’ll only make you worse.
First of all, we have to understand why authors and writers do this. When a writer is aware of his own mistakes, he can use this awareness to improve his writing.
As a result, he will feel more confident about his writing. An author might think, “I am no worse than other writers. I am as good as they are.” If you think about it, this is a perfectly natural thing to do.
The human brain is a very complex mechanism, and we should
Just because another writer uses descriptive language that some might consider “soft,” you shouldn’t. Aspiring writers should focus on concrete details, not on writing in an abstract manner.
If another work doesn’t have a strong sense of spatiality, you shouldn’t either.
Writing is a way of making yourself vulnerable. Bad writing is written in defense; good writing is completely vulnerable.
Virginia Woolf’s The Waves is an incredible example of vulnerability in literature. She created an entire world with it, and it’s incredibly difficult to do so.
I think the reason for this difficulty is that vulnerability was one of her biggest weaknesses, but she still tried to make herself as vulnerable as possible in writing The Waves .
It’s pretty much impossible to pull off writing a long novel in present tense.
Either it’ll be a great technical feat or you’ll look like an idiot. (I can’t say that all writers who use present tense are bad writers.)
Many writers feel that they have to tell a certain story. A story that they have been told by their grandmother or one that happened to them when they were young.
It is only once they have told the story that they can move on.
It’s hard to be a writer, because it’s hard to learn how to write. It’s hard to learn how to write because we can’t change what we already know.
We lack the will to betray the truth we already know by putting it down on paper.
Bad writers don’t understand that the writing of another era is different from their own. They do not understand that the current social conditions are different from those of the past.
They want to write the same kind of book that they read, but they don’t realize that those books were written in a different era and under different social conditions.
Many writers believe they are only responsible for the plot and the characters, not for the historical or cultural context that surrounds their work.
Writers of historical fiction who ignore the time in which they’re writing are mistaken. And writers of science fiction who ignore the fact that it’s 2018 also make a mistake.
Bad writers want to write about an important topic. You cannot use writing for a cause.
If you try, you will fail. To be a good writer, you must first learn to write well. And if your character is not alive in the reader’s mind, he or she won’t care enough to make the world a better place.
Only after you are a good writer can you make the world a better place.
Some people are under the impression that they are bad writers, but the truth is that it is not the fault of the literary world. It’s simply because these people do not understand how to write better.
To be a great writer you must think about what you write. If you are a bad writer, you think: “I have something to say.” If you are a good writer, you think: “The words are being written.”
To become a great writer, you will eventually have to be seen as a bad writer. The path to greatness means risking failure.
To be competent is to perform for your friends and family. To be a great writer is to run away and join the circus.
Friends and family will be amazed by your sleight-of-hand, but they’ll be even more impressed by a skilled magician.
When people watch a magic show, they want to be awed by the magician’s skills and not just say “Wow, that was great.” They want to say “Wow, look at that! I can’t believe it!”
The best creative writing tutors will teach you how to do magic tricks. But there is more to magic than tricks.
If you actually want to be a magician, you will have to figure out how to do things that are impossible for other people. The best tutors can’t teach you this. You will have to learn it yourself.